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G.V.Prakash Kumar’s Raja Rani AUDIO RELEASED in the Year of 2013 Free Listen & Download High Quality ORIGINAL CD-Rip 320kbps Raja Rani (2013) Songs Music By G.V.Prakash Kumar Raja Rani is an Indian Tamil film directed by debutante Atlee Kumar, who previously worked with Shankar as an assistant in Enthiran (2010), and produced by A.R.Murugadoss in association with Fox Star Studios.The film features Arya, Nayantara and Jai in the lead roles. The film’s soundtrack and background score were composed by G. Prakash Kumar with Lyrics By Na.
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Hindi Raga is a 1971 about the life and music of Indian, produced and directed by Howard Worth. It includes scenes featuring Western musicians and, as well as footage of Shankar returning to in central India, where as a young man he trained under the mentorship of. The film also features a portion of Shankar and player 's acclaimed performance at the 1967. The majority of the documentary was shot in the late 1960s, during a period when Shankar's growing popularity saw embraced by rock and pop musicians and their audiences.
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Financial problems then delayed production until Harrison provided assistance through ' company. In addition to actively promoting Raga, Harrison produced the soundtrack album – a project that led directly to he and Shankar staging in August 1971. The film's working title was alternately East Meets West and Messenger Out of the East.
In 2010, to coincide with celebrations for Shankar's 90th birthday, released a fully remastered version on DVD, titled Raga: A Film Journey into the Soul of India. The expanded soundtrack album was also made available, via digital download.
Contents. Production New York film-maker began work on Raga, a on, in 1967, during the height of what Shankar describes in My Music, My Life (1968), the first of his two autobiographies, as 'the great explosion'.
The latter term reflected the interest that had grown in the West for and its extended works, known as, over 1966–67, following and other rock bands' adoption of the multi-stringed sitar into their sound. Aided by his befriending of the Beatles, this phenomenon resulted in Shankar achieving status. Music critic describes him as having become 'the most famous Indian musician on the planet' in 1966. Shankar was uncomfortable with this development, since his training had instilled in him a sacred purpose for India's musical heritage – namely, Nada ('Sound is God'). The film documents Shankar's concern that while old traditions were dying in India, they were simultaneously being misappropriated by America's youth culture, particularly through many in the West choosing to associate Indian classical music with. Speaking in 2010 of his involvement in Raga, Worth recalled that he disliked Indian music initially, but soon changed his view. At the request of Canadian television producer Nancy Bacal, he attended a private recital by Shankar, in the company of singers and, a performance that convinced Worth that he wanted to direct the planned Shankar documentary after all.
Worth also served as producer, and he and Bacal worked on a script at Collins's house in California. The film was originally called East Meets West, according to author Peter Lavezzoli; Messenger Out of the East was an alternative working title. The first of these titles referenced, Shankar's 1966 album with American violinist, and the winner of the 1967. To be received like this in a foreign land – my God, it is overwhelming. I never felt so much warmth and openness, so much love for our music But I wonder how much they can understand, and where all this will lead to. – Shankar's opening narrative in Raga Much of Raga was shot during the first half of 1968 in India, particularly, home to Shankar's since 1963.
Among the scenes filmed in India, Shankar directs musicians such as, and Kartick Kumar in a Bombay studio and, in a scene titled 'Vinus House', enjoys a casual musical get-together with singer Vinay Bharat Ram and violinist Satyadev Pawar. Maihar Railway Station in 2009.
In Raga, Shankar journeys by train to as part of his reaffirmation of his cultural roots. Early in the film, Shankar travels by train to the town of, to see his father-in-law and esteemed music teacher (or ), known affectionately as 'Baba'. Worth recalls this visit as a nervous occasion for Shankar, who states in his role as narrator: 'Whenever I think of Baba, I have a mixture of fear and awe. For us, guru is sometimes greater even than God.' Another scene features dancers from the South Indian tradition, reflecting Shankar's early career as a dancer with elder brother 's pioneering troupe during the 1930s.
According to Worth, the emotional highpoint of filming was when Shankar visited his spiritual guru, named Tat Baba. In his own teaching activities, Shankar is shown mentoring students at Kinnara, adhering to the strict he had experienced under Allauddin Khan. Shankar later reflects on the comparative rush to master the intricacies of Indian music by his Western students in Los Angeles, where he opened a branch of the Kinnara School in May 1967. Raga includes footage of a pair of celebrated live performances by Shankar from 1967, a year that Lavezzoli describes as the ' ' for Indian music in the West.
The first performance was from the in northern California on 18 June, where Shankar was accompanied by his longtime player,. The film shows Shankar and his companion circulating among the crowd before his performance, and American musicians and among 'the enthralled spectators' while he plays, according to Lavezzoli. The second of these 1967 performances, a recital featuring Menuhin and Shankar, was filmed six months later on, at the in New York.
Shankar's scenes with George Harrison were filmed at the in California. Another milestone for the popularity of Indian music was the June 1967 release of the Beatles' album, the 'spiritual centerpiece' of which, Lavezzoli writes, was George Harrison's Indian composition '.
Harrison joined Shankar in in April 1968, following at 's meditation ashram in, but a bout of prevented him from participating in filming for Raga. Worth subsequently filmed Harrison's contributions at the in, California, on 10–11 June 1968. In one of the scenes, Harrison receives sitar tuition from Shankar; in another, they both participate in a singing class with students from Kinnara.
While his immersion in Indian music had been the most significant factor behind Shankar's recent rise to international fame, Harrison would later cite this visit to Esalen as presaging the end of his commitment to the sitar. California was also the location for the film's penultimate scene, in which Shankar, looking out over a windswept beach, questions the validity of his attempts to bring Indian culture to America. In his narration for the scene, he reads out a passage adapted from My Music, My Life, reaffirming his belief in Nada Brahma. Apple Films' involvement After the main filming over 1967–68 in India and the United States, financial and technical problems interrupted production on Raga. According to Worth's recollection, the original financier for the project, whom he describes as 'Ravi's manager', was forced to back out, having been committed to a psychiatric ward. In, Shankar says that he financed the film himself, adding: 'which was rather sad because it cost a large amount and I only realised this later!' Once back in New York, Worth contacted Harrison, hoping to secure support from, the film studio responsible for the Beatles' feature films, and.
Late in 1970, Harrison attended a special screening of the assembled footage and was so moved, according to Worth, that within days he offered the services of the Beatles' own as a distributor. Worth credits Harrison with saving the production and thereby 'changing my life'. Soundtrack Raga by Released 7 December 1971 (US) Recorded April–July 1968; June–July 1971 Length 39: 34 The majority of Raga 's musical soundtrack was recorded between April and July 1968. Aside from the recitals featured in the film, Shankar provided incidental music, the co-ordination of which was credited to his sister-in-law (for pieces classed as 'East') and American musician ('West'). Among the notable Indian musicians contributing to the soundtrack were , Shivkumar Sharma , Hariprasad Chaurasia , , and (both tabla), and singer. For a scene that Shankar describes in Raga Mala as 'reflecting all the distortions in that period – Indian music mixed up with rock, and drugs', Walcott created a piece titled 'Frenzy and Distortion', using 'a profusion of electronic sounds'. In June and through to July 1971, Harrison, as producer, prepared the recordings for release in conjunction with the movie.
While Shankar and Harrison were working in Los Angeles, news broke of the being committed by against the people of (formerly, and before that, ). In response to a plea for assistance from Shankar, a Bengali by birth, Harrison set about organising the, held at, New York, on 1 August. Work on the Raga soundtrack was completed in mid July, around the time of sessions for Shankar's EP. Release Raga received a limited release in November 1971, solely in the United States. Harrison helped promote the film, starting with an interview for New York's, and he attended a press screening at on 22 November, along with former bandmate and their wives.
While Shankar attended the premiere there the following night, Harrison instead appeared on, discussing Raga and bemoaning the delay surrounding the release of the live album from the Concert for Bangladesh. Shankar joined him late in the show, during which Harrison also plugged, Shankar's recently released collaboration with and. On 24 November, Shankar and Harrison filmed an appearance on, where they again discussed the film and Harrison gave a rare demonstration on sitar.
Two days later, Shankar performed at Carnegie Hall, accompanied by Rakha and Chakravarty, giving his first New York concert since the Concert for Bangladesh shows in August. Writing in in November 1971, film critic described Raga as 'quietly penetrating' and 'beautifully made', adding: 'Everything about it is admirable.' On 7 December 1971, Apple Records released the soundtrack album (as Apple SWAO 3384) – like the film, in America only.
's album reviewer commented on the packaging's 'superb photo folio showing the sitarist's career' but said that, due to the fact that only portions of ragas were present, the soundtrack's 'greatest attractiveness may be to those who see the movie or are Shankar collectors'. In August 1972, Harrison screened the film for select guests at a cinema in, London, to coincide with Shankar's upcoming appearance. When asked at the press conference for his and Shankar's whether the attendant publicity was likely to lead to a re-release for Raga, Harrison expressed his hope that it would, but lamented that the restrictions imposed on cinema operators by film distributors were 'like the way the record industry was ten years ago'.
He added: 'If you don't work on Maggie's farm, you don't get your movie on, you know?' Reissue Raga was released on home video in 1991, distributed by Mystic Fire Video. The Shankar-affiliated (EMWMusic) remastered the film and released it on DVD in October 2010, with the new title Raga: A Film Journey into the Soul of India. The release was part of EMWMusic's celebrations for Shankar's 90th birthday.
Shankar said of his reasons for reissuing the film: 'It was a very special period of my life. I really want today's generation to see what it was like for me to be in such a unique and exciting position – to be the first to bridge the gap between the East and the West and to devise a new way to attract, educate, initiate and draw those in the West to the exceptional world of Indian classical music and culture.' On 1 November 2010, the film was screened at the New York headquarters of the, which had promoted Shankar's first US appearances in 1957 and now honoured the artist with its Cultural Legacy Award.
The event was introduced by composer and attended by (representing her father, who was too sick to attend), along with people involved in the original production such as Worth, Gary Haber and Merle Worth. Writing in magazine, Jeff Kaliss gave the Raga DVD a five-star review and described the film as an 'honest, entertaining portrait of a maestro' that was 'as satisfying musically as it is visually'.
In his Cave Hollywood article on the 2015–16 exhibit on Shankar's life, music historian Harvey Kubernik said that the DVD was 'recommended viewing'. Replacing the 1971 promotional image for Raga, which showed a silhouette of a cow against a backdrop of a sunset, the new cover consisted of a still of Shankar playing sitar during the 1960s. This photo, taken by Canadian portrait photographer, shows a portion of the seven-played-string that Shankar had popularised over the more traditional six-string model favoured by musicians such as. For the 2010 reissue, EMWMusic expanded the soundtrack album from thirteen selections to seventeen, with all recordings fully remastered. The Raga soundtrack remains available via digital download with the documentary film. Album track listing Original 1971 release All songs by Ravi Shankar, except where noted. Hunt adds that within 'two decades' of Shankar's debut performances in Western Europe and America, in 1956, he was 'probably the most famous Indian alive'.
In his 1997 autobiography, Shankar comments on the difficult relationship he had with his father-in-law, due to longstanding marital problems between himself and Baba's daughter,. This event took place on 10 December 1967 and included accompaniment from Rakha and Chakravarty (the latter on ). Adding to its significance, the Human Rights Day recital was the first time that Indian classical musicians had been seen by a global television audience.
Part of Harrison's reason for abandoning the sitar was his realisation that mastering the instrument demanded years of intense dedication. In his, Harrison explains: 'By this time I had met a few hundred sitar players who were all sensational, yet Ravi had hopes for only one of them that he would be a really great sitar player. Worth does not give a date as such yet mentions 's New York office and Harrison asking him to pick his favourite of five recordings, one of which was '. Apple's New York office did not open until April 1970, and Harrison recorded 'My Sweet Lord' in London in May–August 1970, before arriving in New York on 28 October with the master tapes for his album. Walcott studied under Shankar at Kinnara in Los Angeles. In a 2006 interview with Peter Lavezzoli, Shankar singled him out as 'my first American disciple' and the most dedicated of all his students in Los Angeles – the majority of whom 'were not sure of what they were really looking for' and 'were mostly interested in getting stoned'., featuring Shankar's performance of 'Bangla Dhun' with and Rakha, would finally be issued in America four weeks after Raga opened.
In addition to the six or seven played strings, sitars have between nine and thirteen, and the number of frets on the neck similarly varies. In My Music, My Life, Shanker recommends having twenty frets, rather than the standard nineteen. References.
26 July 1973. Retrieved 24 December 2016. Lavezzoli, pp. Shankar, My Music, My Life, p. Lavezzoli, pp. World Music: The Rough Guide, pp. Robert Shelton, 20 December 1966 (retrieved 3 December 2013).
Bruce Eder, (retrieved 20 July 2014). Book accompanying box set by Ravi Shankar and George Harrison (, 2010; produced by Olivia Harrison), p. ^ Lavezzoli, p. ^ Ken Hunt, (retrieved 24 November 2013). Lavezzoli, p. 'My Music Not For Addicts' – Shankar', 29 July 1967, p.
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Shankar, Raga Mala, pp. 157, 196, 268–69. Priyanka Dasgupta, Purba Dutt & Nona Walia, 18 February 2012 (retrieved 15 December 2013).
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Philip Glass, 9 December 2001 (retrieved 1 December 2013). Lavezzoli, pp. 171–72, 177–78. Mitchell Glazer, 'Growing Up at 33⅓: The George Harrison Interview', February 1977, p.
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Harvey Kubernik, Cave Hollywood, 16 June 2015 (retrieved 1 May 2017). ^ Liner notes, Raga: A Film Journey into the Soul of India. Lavezzoli, pp. 14, 30–31, 33. ^ Shankar, My Music, My Life, p. Keith Badman, The Beatles Diary Volume 2: After the Break-Up 1970–2001, Omnibus Press (London, 2001; ). Harry Castleman & Walter J.
Podrazik, All Together Now: The First Complete Beatles Discography 1961–1975, Ballantine Books (New York, NY, 1976; ). Alan Clayson, George Harrison, Sanctuary (London, 2003; ). George Harrison, I Me Mine, Chronicle Books (San Francisco, CA, 2002; ). Olivia Harrison, George Harrison: Living in the Material World, Abrams (New York, NY, 2011; ).
Peter Lavezzoli, The Dawn of Indian Music in the West, Continuum (New York, NY, 2006; ). Simon Leng, While My Guitar Gently Weeps: The Music of George Harrison, Hal Leonard (Milwaukee, WI, 2006; ). Chip Madinger & Mark Easter, Eight Arms to Hold You: The Solo Beatles Compendium, 44.1 Productions (Chesterfield, MO, 2000; ). Barry Miles, The Beatles Diary Volume 1: The Beatles Years, Omnibus Press (London, 2001; ). Raga: A Film Journey into the Soul of India DVD, /, 2010 (produced and directed by Howard Worth; reissue produced by Shyama Priya & Cat Celebrezze). Robert Rodriguez, Fab Four FAQ 2.0: The Beatles' Solo Years, 1970–1980, Backbeat Books (Milwaukee, WI, 2010; ). Ravi Shankar, My Music, My Life, Mandala Publishing (San Rafael, CA, 2007; ).
Ravi Shankar, Raga Mala: The Autobiography of Ravi Shankar, Welcome Rain (New York, NY, 1999; ). Bruce Spizer, The Beatles Solo on Apple Records, 498 Productions (New Orleans, LA, 2005; ). World Music: The Rough Guide (Volume 2: Latin and North America, Caribbean, India, Asia and Pacific), Rough Guides/Penguin (London, 2000; ). External links.
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